Tuesday, March 4, 2008

When is Music Learning Software Good, And When Is It Bad?

With the advent of computers, there were a variety of software purporting to do just about learning each task the modern guitar learners ever achieved. For example, I wrote a piece of software that I would show up somewhere that you every inversion each chord on the fretboard from each tribe.

There drum machines, there are recorders, there are millions of others who are not directly related to learning guitar, but they never-the-less contrtibute on the completeness or the holistic process of becoming a balanced creative. These are related to learning in a very direct way, if they are not learning, per se

You could even consider an electronic brochure, book, brochure, a monograph or a piece of educational software. It serves the same function.

When are many directions, each of these values in the pursuit, and when not? When learning is good music, and what makes it bad?

It& 39;s all very subjective, and leads directly to the learner. The question is not always, if it is good, and when is it bad. Sometimes it is best to ask and what do I get that from this, I could not elsewhere?

For example, the first example I have of software shows that the chords on the guitar, this may be a person an idea of how much work is involved, or help find a special intonation, or inversion.

However, this software can be counterproductive, that in the May stifle student from learning chordal structures to analyze, and build this, the students own memory. Also, a person to do with all these chords?

This is after all a very detectable. It is a tried and true method for obtaining this knowledge so that the creative guitarists can rely on him in the time " " and use them in their proper game. So in this case, this software can actually stifle learning.

The bottom line, the student has the responsibility for their own learning and not get bogged down and techniques, software, learning methods. Just grab it and use it is a practical solution when confronted with new evidence to apllicable creative gutiar play.

Whenever with mutliple decisions, I always try to explore the ends to which each of these leads. Knowledge-wise, this means pursuing, learning how many angles as possible. The guitar is very favorable to this that it is very logical, precise and learn. It is not infinite after all. Quite the contrary. There are 12. It is a huge, but it is not infinite.

It is like chess in a way, there are a million moves, but few are really meanigful. Creativity, and the guitar, and songcraft, and all are very simple issues, if you are really important, big picture " " synthesis of everything.

In the meantime, just be aware of your learning process, that there is a way to capture the important, big picture, top-down knowledge apllicable to creative guitar. It is located in the Creative Guitar Mastery series of learning. This is my personal guarantee - that one of the findings that one of the series will enrich your game in a way you will thank us for the coming years! Or, I will repay the money, no questions asked!

Let me know your thoughts .... E-mail me, Christian J. Miller at chris@doubleplanet.com

Thanks for your time.





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